Martin Wong is widely recognised for his extraordinary depictions of social, sexual and political scenographies from the 1970s, 80s, and 90s. Weaving together narratives of queer existence, marginal communities, and urban gentrification, Wong stands out as an important countercultural voice at odds with the art establishment’s reactionary discourse at the time. Heavily influenced by his immediate surroundings, Wong’s practice merges the visual languages of Chinese iconography, urban poetry, graffiti, carceral aesthetics, and sign language as well as drawing heavily on the Latin American community he became so closely involved with.